O Inferno Branco de Pitz Palu (Die weiße Hölle vom Piz Palü, 1929)

Virginia Woolf

The Voyage Out [1915] Night and Day [1919] Jacob’s Room [1920] Monday or Tuesday [1921] Mrs Dalloway [1925] The Common Reader, First Series [1925] To the Lighthouse [1927] Orlando [1928] A Room of One’s Own [1929] The Waves [1931] Flush: A Biography [1933] The Common Reader, Second Series [1925] The Years [1937] Three Guineas [1938]

Lisztomania (1975)

Não aceito adjetivo menor que o significado de gênio para designar Ken Russell. Eu deveria mandar todo mundo tomar no cu e depois passar o resto dos meus dias trancada num cúbiculo só assistindo filmes do Russell repedidamente, aí eu poderia morrer louca e feliz.

Centenário de Lurene Tuttle

Dona Lurene Tuttle metendo porrada na Marilyn Monroe em Almas Desesperadas (Don’t Bother to Knock, Roy Ward Baker, 1952)

Centenário de Criswell!!!

Jeron King Criswell em Plano Nove do Espaço Sideral (Plan 9 from Outer Space, 1959)

Morreu Max Roach (1924 – 2007)

Mr. Hi Hat (1982)

Hume

Hume nasceu em Edimburgo, na Escócia, em 1711. Fez estudos jurídicos na Universidade de Edimburgo, mas sem pretensão de seguir a carreira. Entre 1734 e 1736 viveu na França, onde escreveu Tratado da Natureza Humana (A Treatise of Human Nature), publicado em 1739. Mas a obra não causou o impacto desejado por Hume. Posteriormente escreveu

O Pequeno Rincão de Deus (God’s Little Acre, 1958)

Joyce – Jung

Ulysses proved to be an exceedingly hard nut and it has forced my mind not only to most unusual efforts, but also to rather extravagant peregrinations (speaking from the standpoint of a scientist). Your book as a whole has given me no end of trouble and I was brooding over it for about three years

Morreu Lee Hazlewood (1929 – 2007)

You’ve Lost That Lovin’ Feelin’ Jackson

Centenário de Adrienne Ames

Visual Pleasure and Narrative Cinema por Laura Mulvey (1975)

I. Introduction A. A Political Use of Psychoanalysis This paper intends to use psychoanalysis to discover where and how the fascination of film is reinforced by pre-existing patterns of fascination already at work within the individual subject and the social formations that have moulded him. It takes as starting point the way film reflects, reveals

Rei dos Reis (King of Kings, 1961)