Helene Millard (The Women)Henrietta Crosman (The Royal Family of Broadway)Hilda Vaughn (Dinner at Eight)Hillary Brooke (The Philadelphia Story / Two-Faced Woman)Hope Emerson (Adam's Rib)Ilka Chase (The Animal Kingdom / It Should Happen to You)Ina Claire (The Royal Family of Broadway)Ingrid Bergman (Gaslight)Irene Tedrow (Hot Spell)Iris Bristol (My Fair Lady)Isabel Jewell (Manhattan Melodrama / Gone with the Wind)Isobel Elsom (My Fair Lady / Lust for Life)Jacqueline Bisset (Rich and Famous)Jacqueline Daix (Zaza)Jane Ball (Winged Victory)Jane Fonda (The Chapman Report / The Blue Bird)Janet Waldo (Zaza)Janet Warren (A Double Life)Jean Acker (No More Ladies)Jean Cadell (David Copperfield)Jean Chatburn (No More Ladies)Jean Dixon (Holiday)Jean Hagen (Adam's Rib / A Life of Her Own)Jean Harlow (Dinner at Eight)Jean Parker (Little Women)Jean Simmons (The Actress)Jeanette MacDonald (One Hour with You)Jeanette Sterke (Lust for Life)Jeanne Blanche (Zaza)Jeanne Crain (Winged Victory / The Model and the Marriage Broker)Jeannie Carson (My Fair Lady)Jessie Ralph (David Copperfield / Camille)Jill Bennett (Lust for Life)Jo Ann Sayers (The Women)Jo Carroll Dennison (Winged Victory)Joan Bennett (Little Women / I Met My Love Again)Joan Crawford (No More Ladies / The Women / Susan and God / A Woman's Face)
Bibliófila, ailurófila, cinéfila e anarcafeminista. Really.
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2 comentários em “As Musas de George Cukor – Parte 5”
Filmes citados:
– As Mulheres (The Women, George Cukor, 1939)
– A Família Real da Broadway (The Royal Family of Broadway, George Cukor/Cyril Gardner, 1930)
– Jantar às Oito (Dinner at Eight, George Cukor, 1933)
– Núpcias de Escândalo (The Philadelphia Story, George Cukor, 1940)
– Duas Vezes Meu (Two Faced Woman, George Cukor, 1941)
– A Costela de Adão (Adam’s Rib, George Cukor, 1949)
– Pouco Amor Não é Amor (The Animal Kingdom, Edward H. Griffith/George Cukor, 1932)
– Demônio de Mulher (It Should Happen to You, George Cukor, 1954)
– À Meia Luz (Gaslight, George Cukor, 1944)
– Quando Vem a Tormenta (Hot Spell, Daniel Mann/George Cukor, 1958)
– Minha Bela Dama (My Fair Lady, George Cukor, 1964)
– Vencido pela Lei (Manhattan Melodrama, W.S. Van Dyke/George Cukor, 1934)
– E o Vento Levou (Gone with the Wind, Victor Fleming/George Cukor/Sam Wood, 1939)
– Sede de Viver (Lust for Life, Vincente Minnelli/George Cukor, 1956)
– Ricas e Famosas (Rich and Famous, George Cukor, 1981)
– Zazá (Zaza, George Cukor, 1939)
– Encontro nos Céus (Winged Victory, George Cukor, 1944)
– A Vida Íntima de Quatro Mulheres (The Chapman Report, George Cukor, 1962)
– O Pássaro Azul (The Blue Bird, George Cukor, 1976)
– Fatalidade (A Double Life, George Cukor, 1947)
– Adeus Mulheres (No More Ladies, Edward H. Griffith/George Cukor, 1935)
– David Copperfield (The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger, George Cukor, 1935)
– Boêmio Encantador (Holiday, George Cukor, 1938)
– Perdidamente Tua (A Life of Her Own, George Cukor, 1950)
– As Quatro Irmãs (Little Women, George Cukor, 1933)
– Papai Não Quer (The Actress, George Cukor, 1953)
– Uma Hora Contigo (One Hour with You, Ernst Lubitsch/George Cukor, 1932)
– O Modelo e a Casamenteira (The Model and the Marriage Broker, George Cukor, 1951)
– A Dama das Camélias (Camille, George Cukor, 1936)
– Tinha que Ser Tua (I Met My Love Again, Joshua Logan/Arthur Ripley/George Cukor, 1938)
– Adeus Mulheres (No More Ladies, Edward H. Griffith/George Cukor, 1935)
– Uma Mulher Original (Susan and God, George Cukor, 1940)
– Um Rosto de Mulher (A Woman’s Face, George Cukor, 1941)
Quixotando 
Filmes citados:
– As Mulheres (The Women, George Cukor, 1939)
– A Família Real da Broadway (The Royal Family of Broadway, George Cukor/Cyril Gardner, 1930)
– Jantar às Oito (Dinner at Eight, George Cukor, 1933)
– Núpcias de Escândalo (The Philadelphia Story, George Cukor, 1940)
– Duas Vezes Meu (Two Faced Woman, George Cukor, 1941)
– A Costela de Adão (Adam’s Rib, George Cukor, 1949)
– Pouco Amor Não é Amor (The Animal Kingdom, Edward H. Griffith/George Cukor, 1932)
– Demônio de Mulher (It Should Happen to You, George Cukor, 1954)
– À Meia Luz (Gaslight, George Cukor, 1944)
– Quando Vem a Tormenta (Hot Spell, Daniel Mann/George Cukor, 1958)
– Minha Bela Dama (My Fair Lady, George Cukor, 1964)
– Vencido pela Lei (Manhattan Melodrama, W.S. Van Dyke/George Cukor, 1934)
– E o Vento Levou (Gone with the Wind, Victor Fleming/George Cukor/Sam Wood, 1939)
– Sede de Viver (Lust for Life, Vincente Minnelli/George Cukor, 1956)
– Ricas e Famosas (Rich and Famous, George Cukor, 1981)
– Zazá (Zaza, George Cukor, 1939)
– Encontro nos Céus (Winged Victory, George Cukor, 1944)
– A Vida Íntima de Quatro Mulheres (The Chapman Report, George Cukor, 1962)
– O Pássaro Azul (The Blue Bird, George Cukor, 1976)
– Fatalidade (A Double Life, George Cukor, 1947)
– Adeus Mulheres (No More Ladies, Edward H. Griffith/George Cukor, 1935)
– David Copperfield (The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger, George Cukor, 1935)
– Boêmio Encantador (Holiday, George Cukor, 1938)
– Perdidamente Tua (A Life of Her Own, George Cukor, 1950)
– As Quatro Irmãs (Little Women, George Cukor, 1933)
– Papai Não Quer (The Actress, George Cukor, 1953)
– Uma Hora Contigo (One Hour with You, Ernst Lubitsch/George Cukor, 1932)
– O Modelo e a Casamenteira (The Model and the Marriage Broker, George Cukor, 1951)
– A Dama das Camélias (Camille, George Cukor, 1936)
– Tinha que Ser Tua (I Met My Love Again, Joshua Logan/Arthur Ripley/George Cukor, 1938)
– Adeus Mulheres (No More Ladies, Edward H. Griffith/George Cukor, 1935)
– Uma Mulher Original (Susan and God, George Cukor, 1940)
– Um Rosto de Mulher (A Woman’s Face, George Cukor, 1941)
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There are several excellent issues raised here, and I’m taking notice – thanks.
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