Todo mundo sabe o que o Scorsese vai fazer com isso, não sabe? Gente obcecada é muito previsível. Rá.
I’ve always liked 3D. I mean, we’re sitting here in 3D. We are in 3D. We see in 3D. So why not? Every shot is rethinking cinema, rethinking narrative – how to tell a story with a picture. Now, I’m not saying we have to keep throwing javelins at the camera, I’m not saying we use it as a gimmick, but it’s liberating. It’s literally a Rubik’s Cube every time you go out to design a shot, and work out a camera move, or a crane move. But it has a beauty to it also. People look like… like moving statues. They move like sculpture, as if sculpture is moving in a way. Like dancers.
All this filming isn’t healthy.