Dame Judi Dench completa 80 anos

Top-dúzia, então: 1- Hamlet (Kenneth Branagh, 1996) 2- Jane Eyre (Cary Fukunaga, 2011) 3- Henrique V (Henry V, Kenneth Branagh, 1989) 4- Casino Royale (Martin Campbell, 2006) 5- Uma Janela para o Amor (A Room with a View, James Ivory, 1985) 6- J. Edgar (Clint Eastwood, 2011) 7- Skyfall (Sam Mendes, 2012) 8- Notas sobre

Matthew McConaughey 4.5

Top dúzia, então: 1- Matador de Aluguel (Killer Joe, William Friedkin, 2012) 2- A Estrela Solitária (Lone Star, John Sayles, 1996) 3- O Lobo de Wall Street (The Wolf of Wall Street, Martin Scorsese, 2013) 4- Jovens, Loucos e Rebeldes (Dazed and Confused, Richard Linklater, 1993) 5- Amor Bandido (Mud, Jeff Nichols, 2012) 6- Trovão

24 Frames: Jane Eyre (Cary Fukunaga, 2011)

When Lawrence “returns to tenderness” with Lady Chatterley’s Lover, he also turns to Jane Eyre, apparently determined to show that Jane should have been mated to the wrathful Heathcliff rather than buried in Victorian niceness with the safely crippled Rochester. Lawrence’s rewriting of Charlotte Bronte’s story reveals that what really disturbed him about Jane Eyre

HOLY SHIT! In the name of all the elves in Christendom!

I am cold, bitch? I AM COLD!?! Então MOR-RA. Edward Fairfax Rochester: Há 160 anos deixando a mulherada suando frio. Numa livraria, perto de você! *Wink* *Wink* Related articles Ro-ches-ter. Edward Rochester and the Margins of Masculinity in Jane Eyre and Wide Sargasso Sea Silencing the Male: Rochester’s Muteness “Myself yet not quite myself”: Jane

MF da semana: O usual

All I remember is that whenever my costar Michael Fassbender hopped on the horse, it would get a huge erection. The poor horse was just…really happy! And they had to keep running him around the block every time Michael hopped on him. So that kind of stalled our day of filming. The thing was just…dangling!

Ro-ches-ter.

Estou certa de que a maioria das pessoas o teria achado um homem feio; contudo, havia tanto orgulho inconsciente em seu porte; tanta naturalidade em sua conduta; uma tal aparência de completa indiferença à sua imagem externa; uma confiança tão altiva no poder de outras qualidades, intrínsecas ou adventícias para compensar a falta da simples