The high point in the film’s satiric vision of corporate upward mobility comes toward the end of the film, in the scenes in which Rockwell receives his promotions — first to vice president and then to president. These scenes parody status panic and the success ethic at its most exaggerated. When Rock first sees hisContinuar lendo “24 Frames: Will Success Spoil Rock Hunter? (Frank Tashlin, 1957)”
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Em tempos de fotografar Paixão dos Fortes (My Darling Clementine, John Ford, 1946)
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